Gowan inducted into Scarborough Walk of Fame - click here for story.
Click image for more photos (photos from LG & Andrew Webb).
The Life and Times of Lawrence Gowan
My large head introduced itself to planet Earth in 1956. It happened in Glasgow Scotland and has been happening daily ever since. Without my consent, as a child I was brought to the tropic of Canada and settled among the unparalleled beauty of Scarborough. My marks in high-school were of a caliber that left me no option but to pursue the occupation of Rockstar.
Soon thereafter my skills at the piano were rewarded with an ARCT in Performance from the Royal Conservatory of Music in Toronto... bestowing a more promising prospect for Rockstar. My first band "Rhinegold " spent five years casting its pearls before swine, and were then summarily dismissed from the party at the end of the 70's...
Then one day the earth trembled. Just as I was down to my last name, my antics were captured in a new medium known as the "Music Video" and the 80's rejoiced and took me to its bosom.
There I was nurtured and awarded with Juno's and Platinums and ample parking spaces.
Alas, as that magnificent decade drew to a close I bid a tearful farewell to my mullet and set off for Larry-land 90's style, strumming an acoustic guitar and finding gold once again.
I toured England several times and was invited to play an original piece with the London Symphony at the opening of Princess Diana's memorial at Althorp. Then I opened for The Stranglers...
In 1999 I was asked to abandon my solo vessel and take up with a fine crew of Americans known as Styx.
I have been aboard since then. Our tours have been amongst the highest grossing in the USA.
We have played the Superbowl twice. We've done the Tokyo-dome and even Casinorama.
In 2007 we performed at Wembley.
Our "Behind The Music" on VH1 was in the top ten highest rated, and my Cribs episode was bangin' dog!
I have been a cartoon character on Chilly Beach and was once Grand Marshall on Ground-hog Day for the sighting of
Wiarton Willie... Thank-you for enduring this riveting tale thus-far.
Hopefully to be continued... Gowan- I AM
For those who keep track of such things : Six Canadian Top Ten songs " A Criminal Mind " "Strange Animal" " Cosmetics" " Moonlight Desires " " All The Lovers In The World " " When There's Time For Love ".
Twelve Juno Nominations, 2 Juno awards. One Casby award. Several Socan awards.
Four Platinum Albums, Three Gold and one Gold-single.
Highest Scorer in Minor-Atom Hockey playing for Cedar-Hill. ( 1967 )
L Gowan (updated Dec 17/08)
The following Biography is used with permission from Jam Showbiz, The
Canadian Music Encyclopedia
Gowan, born in Glasgow, Scotland, has been playing in and around the
Toronto music scene since the early 1970's. He's a classically trained
pianist from the Royal Conservatory of Music and a devout Progressive
he formed Rhinegold with fellow school mates Daniel Bourne (drums/vocals)
and brother Pat Bourke (guitar/keyboards/vocals). Lawrence fronted this
power trio as keyboardist and vocalist amidst his theatric story telling
and acrobatics. Lawrence regularly danced on top of his baby grand piano
and pranced about the stage like a wildman on fire.
songs were molded with the same progressive rock substance of Genesis,
Supertramp, and Queen - maintaining their melodic sense without abandoning
the pretense of good storytelling like other Prog Rock icons like
the Moody Blues, ELP and Yes. The Beatles were also a heavy influence
and the band often incorporated their songs, as well as those by
Genesis and Supertramp, into their set of otherwise all original
material. Rhinegold's originality stemmed from their ability to weave
a mythical story live and hold the audience's interest not only with
rock solid performances and professionalism, but with Gowan's charisma
as a frontman. The songs told tales of far-off lands in the middle-east
("Trail of The Jade"),
Teutonic folklore ("Black Forest Riders"), early exploration ("Passage
To The Rhine"), superstition and witchhunts ("Two Faces And A Black
Dog Grin") and more cosmic pursuits ("Dr. Starlight And The Watchmaker",
were also more playful flights of fancy with nods to childhood ("Circus Overture",
"Comic Strip Boogie"). With these heavy concepts came a light and stage
show to rival the stadium acts complete with costume changes (they even
had a song about their costumers - "Madame Malabar"). Alas, 5 years
in the club scene throughout southern Ontario led to several former
bass players and no significant response from the music industry themselves.
Despite their best efforts to attract attention for their packed houses
and elaborate stage personas, Rhinegold was up against other power
trios - Rush, Klaatu, FM, Triumph who had pretty much saturated the
hard driving, over-the-top, production market of the late '70's. Disco
was king and Rhinegold was dead.
short stint Lawrence hooked up with Terry Draper and Dee Long (moonlighting
from their day-gig as Klaatu) to perform cover tunes as FUNN. The
loose atmosphere and intoxicated circumstances surrounding the band
led Gowan to explore other avenues in search of that illustrious "big break".
He toured briefly as Ronnie Hawkins keyboard player and scraped together
enough money for a demo tape. By 1982 Gowan had been signed to CBS
Canada for a multi-album solo record deal. The demos were reworked
and a 'band' brought in, including the recently unemployed Kim Mitchell
of Max Webster fame, to perform Gowan's newest commercial pop record.
Gone were the 12 minute opuses of Rhinegold's past and instead offered
4 minute pop ditties heavy on the Saga keyboard bent.
was supplied by award winning graphic artist Hugh Syme (Klaatu, Rush)
and the album spawned two medium charting singles "Give In" and "Keep
Up The Fight" (which also became a video). The album floundered into
immediate obscurity and Gowan found himself without a direction. However,
CBS still believed in his talent as a first-class showman and songwriter
so Gowan returned to ESP to continue demos throughout 1984. With CBS
firmly backing the 'NEW' Gowan, the material was shopped around to
various producers hoping that someone could steer Lawrence in the right
direction as they had mistakenly forwarded the first album to people
who blatantly rejected the record as too '70's retro. However, one
day Lawrence received a call from infamous British producer David Tickle
who was in Toronto working on another CBS Canadian act, Platinum Blonde.
Tickle had heard a demo tape and thought that Gowan had something unique,
but he too felt it was just rehashing the same pap that Canadians and
Brits had been clinging to from a bygone era. Tickle wanted newer material
which Lawrence obliged him with. When there was no response Gowan took
it as a sign of no interest.
1984, Gowan had given up on Tickle when suddenly he got a call from
the producer who was out driving in a new sports car. Tickle asked
him to hold the line because he wanted Lawrence to speak to someone.
Tickle put Jerry Marotta on the line and the two began talking like
old pals about their favourite music. Tickle had deliberately waited
to respond to Gowan because he was waiting for Peter Gabriel's rhythm
section of Tony Levin & Marotta, to finish Gabriel's latest record so they could
commit to Gowan's material. Within a week the quartet were in Ringo
Starr's house in the French Riviera putting down bedtracks for what
would become a career making album: 'Strange Animal'. The record was
released in 1985 to much publicity and hype as much for the sheer production
value and craftsmanship as for the "who's who" performing on it.
toured with The Kinks and several Canadian rock acts supporting them
and building a grass roots following based on the first single and
much applauded animated video for "Criminal Mind". The title track then followed with
its own video as Gowan moved from opening act to headlining small venues.
With the third single, "Guerrilla Soldier", the album was breaking wide
open. A fourth single, "Cosmetics", secured a full year's touring schedule
with Gowan opening in the US in 1986 for Tears For Fears on their successful
'Songs From The Big Chair' Tour.
the 1986 Juno Awards Gowan was swamped with nominations and yielded
several awards for album graphics (Hugh Syme - again) and video production
("Criminal Mind" & "Strange Animal") as well as 'Producer of The Year
(David Tickle). Eventually, 'Strange Animal' would sell 300,000 copies.
By late 1986, Gowan was resting and assessing his new found fame and
fortune. As all record companies do, CBS was hot on Gowan to reproduce
the success of his sophomore effort. By March 1987 the new album 'Great
Dirty World' - once again produced by David Tickle and featuring the
rhythm section of Marotta and Levin - was released to even more fanfare
and hype than 'Strange Animal'. The album's lead off single, "Moonlight
Desires", was a guaranteed smash due to the notable duet appearance
of YES frontman John Anderson.
ability to attract rock nobility on his records was giving him instant
credibility and another hit record. Though it didn't sell exactly
the same numbers as 'Strange Animal', 'Great Dirty World' saw the
release of two more singles -- "Awake The Giant" and "Living In The Golden Age"
-- and allowed Gowan the freedom to tour exclusively on his own headlining
shows throughout Canada culminating in a two night engagement at Toronto's
Massey Hall. However, the Americans, always elusive about Prog Rock
and anything remotely arty or Anglocentric, passed on the release of
the album. CBS saw this as a sign of the times and decided to unload
their new 'hot' property to a label that did have success in the US
- Anthem, home to Toronto scene-mates Rush. Gowan spent two years re-developing
his career and songwriting under the watchful eye of Anthem's Bob Roper
(who would eventually become Lawrence's manager) and they formed a battle
plan. The US market seemed at least remotely interested in Canadian
acts, so Lawrence's vision was retooled to a decidedly Cancon flavour
and the old progressive Brit sound of Lawrence's two previous albums
was left at the door with David Tickle and his infamous rhythm section.
However, Jerry Marotta still contributed plenty to the follow-up disc,
'Lost Brotherhood', which was released in 1990. Gowan let his hair down
(literally) and got down and gritty with some hard rock players from
Canada's old school: guitarist Kenny Greer (Red Rider), guitarist Steve
Shelski (Coney Hatch), Jerry Marotta, and even labelmate Alex Liefson
making a guest appearance on several tracks. The whole affair was produced
and co-written by Eddie Schwartz ("Hit Me With Your Best Shot", "Does
A Fool Ever Learn"). Schwartz had Gowan over-write for the album and
they picked the 10 best tracks to grace the record.
first time, Gowan had a ballad in the form of "All The Lovers In The
World" and a flashy, sexy video to pump up his image as available rock-bachelor..
The second single, the cult-in-your-backyard paranoia schtick - was
"Lost Brotherhood" itself which did nothing if not help fill seat after
seat in clubs and concert halls. He even landed a coveted Saturday afternoon
slot at the late, but great, Ontario Place Forum. The momentum was held
as CBS issued a second ballad - "Out Of A Deeper Hunger" - and launched
the record in the US on Rush's advice through Atlantic Records. Again,
the Americans weren't biting.
gnashed their teeth as did Gowan. They gave him one more shot to
re-affirm his status as king of Canadian Male rockers. So, in 1991,
Lawrence put away his piano, picked up an acoustic guitar and headed
to Jerry Marotta's private recording facility in Woodstock, New York
and began the task of re-inventing himself - for the third time.
With a guitar as his new muse, Gowan was able to take a fresh approach
to songwriting and brought in many songwriters to co-write with including
Annette Duscharme, Eddie Schwartz and Eagles helper J.D. Souther.
The results were spectacular. Kenny Greer returned as Gowan's guitar
foil and John Sebastian (Lovin' Spoonful) stopped in for a guest
appearance. The 1992 album was humourously entitled '...But You Can
Call Me Lawrence' because he had changed his name from Lawrence Gowan
to GOWAN to Lawrence Gowan over the course of his career. The first
single "When There's Time For Love" put Lawrence
Gowan back on top of the charts and he toured exclusively on the strength
of this one song with nothing but and acoustic guitar, a piano and Kenny
Greer to back him. With that success he returned later that year with
another single - "Dancing On My Own Ground" and a live band - consisting
of himself, Kenny Greer, and Kim Mitchell's rhythm section of Peter
Fredette (bass/keyboard) and Paul DeLong (drums). The 1980's theatrics
were dropped in lieu of a tighter more musician oriented slant on the
Gowan repertoire. His entire set list consisted of stripped down, bare-to-the-bones
arrangements of all his hits including a piano only version of "Criminal
Mind". Lawrence Gowan had returned with a vengeance.
1995 at Toronto's Massey Hall, Gowan joined an All Star lineup of
oldtime rockers (Jerry Lee Lewis, Carl Perkins, The Band) to celebrate
Ronnie Hawkins 60th birthday. Gowan was part of Hawkins' stage band
and contributed three performances of his own. Despite the obvious
success and peak performance of '...But You Can Call Me Larry', Lawrence
Gowan had seen very little profit on what he considered a huge monetary
turn around...with that, Gowan left Anthem records after the record
ran its course and took Vice President Bob Roper with him. The two
decided to take Gowan's career into their own hands and release 1995's
'Good Catches Up' independently so that all the resources were accountable
and instantly recoupable. The record did not set the world on fire
but was strong enough to elicit three more singles: the title track, "Guns And God" and "I'll Be There
In A Minute".
Kenny Greer and Paul DeLong performed "Heart Of Gold" on the 'Borrowed
Tunes' Neil Young tribute with 40 other SONY Records acts. Profits went
to The Bridge School in San Francisco Bay Area and Safehaven Project
for Community Living in Toronto -- both charities supported regularly
by Young himself. 1995 also saw '...But You Can Call Me Larry' certified
gold by SONY Canada and SOCAN awarded Gowan recognition for the 10 most
frequently played singles on radio in '95: "Soul's Road" (co-written
with Annette Ducharme) and "Dancing On My Own Ground". Gowan finished
up 1995 and 1996 on the road with Kenny Greer and Jeff Jones (both
from Red Rider) on guitar and bass respectively, and Paul DeLong on
sales slowed on 'The Good Catches Up', Gowan jumped at the opportunity
to do a one-man show tour in 1997 opening for Burton Cummings in which
Gowan promoted not one, but two live albums: 'Au Quebec' for his loyal
Francophone following, and another recorded at the Glenn Gould theatre
in Toronto, called 'Solo Live: No Kilt Tonight'.
Of Gowan" CD on Columbia/SONY was released late in 1997 with the lead-off
single "Healing Waters" -- a tribute to the late Princess Diana of
Wales. The song was practically commissioned by the BBC during a promotional
tour Gowan did in the UK during the time of her death. The push of
Gowan's popularity led to a similar 'best of' package in the UK in
1998 called 'Home Field'.
Gowan return to the recording studio with producer Terry Brown to record
11 songs for the follow-up to his last studio effort, 'The Good Catches
Up', only to be interrupted in May, 1999 by a phone call asking him
to fill in for Dennis DeYoung on Styx's 1999 comeback tour. Gowan has
committed to 53 dates on the tour through the remainder of 1999. He
has been playing one-man dates as a warm up to break in the newly learned
Styx material and he hopes to return to Canada for some full-band dates
(featuring Greer and Jones again) between Styx dates. Gowan's solo album
should be completed and released by late 1999 or early 2000. Gowan had
met the band in 1998 when he opened for them at Montreal's Molson Centre
and Quebec's Colisee.
minor editing done by Marlene.
from STYX official web site: "Lawrence Gowan comes to Styx
via a successful performing and recording career in Canada. Having been
classically trained, Gowan's vocal and playing abilities quickly made
him a huge success in Canada with 3 platinum and 4 gold hit records,
numerous Juno Award nominations, and eventually the Prestigious Achievement
Award from the Canadian Society of Composers, Authors, and Publishers.
Styx became aware of him in 1997 when he opened a few Canadian dates
for them and remarkably received two encores from a crowd filled with
longtime Styx fans. His success in front of their audience and his incredible
stage energy and vocal ability made him the obvious choice to replace
original member Dennis DeYoung in 1999. "Gowan's a real asset to
Styx," explains JY. "He's brought new energy and excitement
to the stage and I don't think I've had this much fun playing live in
many years." "
Classics were presented to four songwriters whose hits
have surpassed the 100,000 radio airplay plateau: Tom
Cochrane for "Life Is a Highway"; the evening's charming
and entertaining host, Lawrence Gowan,
for "Moonlight Desires";
Shirley Eikhard for her Bonnie Raitt hit "Something to Talk
About"; and Corey Hart for "In Your Soul" and "Sunglasses
Socan Web Site
Left to right: SOCAN Award winners
Tom Cochrane, Brian Chater & Lawrence Gowan
New Year's day, 1995, MuchMusic featured the top 100 video countdown.
Gowan's "Moonlight Desires" placed #83, and "When There's Time (For
Love)" was #74.
12, 1995 at "Massey Hall" in Toronto, Gowan helped Ronnie Hawkins musically
celebrate his 60th birthday with Carl Perkins, Jerry Lee Lewis and The
Band. Gowan was once a member of the "Hawk's" band. A result of this
celebration is a CD and Video release Let
it Rock from Sunrise Records & Tapes. Three of the tracks are
Gowan's: When There's Time for Love, Good Golly Miss Molly, and Long Tall
right by Ian Gillies
Article about Gowan's SOCAN award
Kenny Greer and Paul DeLong performed "Heart of Gold" included on a
double CD "Borrowed Tunes" - a compilation of Neal Young songs recorded
by 40 contemporary Canadian artists. Profits went to The Bridge School
in San Francisco Bay Area and Safehaven Project for Community Living
Vice President of Sales, Sony, awarded Gowan with a gold cd for over
50,000 unit sales of "...but you can call me Larry".
The Society of Composers, Authors and Music Publishers of Canada
awarded 2 spots to Gowan for the 10 most frequently played singles
on radio: "Soul's Road" and "Dancing on My Own Ground".
bars of "The Dragon" was used in a film called "Navy Seals", starring
Michael Biehn and Charlie Sheen.
Road" was played at the end of the 1996 Grey Cup game during the
credits and highlights.
Performed "The Good Catches Up" at the closing ceremonies of the "Special Olympics" in
Toronto, February 1997.
tour in the UK (England & Scotland), July 23 - August 6, 1997.
This tour was a great success. The 2nd tour in the UK was in June,
1998 the 3rd in November 1998 (with the Stranglers).
to play with STYX for their summer tour of 1999 as Dennis De Young is
not going on tour.
November 16, 1998, Gowan received the prestigious National Achievement
Award from the Canadian Society of Composers, Authors, and Publishers
at a dinner in Toronto. The award was handed out for only the second
time by the Society Board of Directors (the only other winner of this
award was The Tragically Hip). The Award celebrates Acievement in the
field of Songwriting over an extended period of time in Canada. Although
Gowan was not able to personally accept the Award due to his UK tour,
he did send a video acceptance speech which was taped at Canada House
in London. The Award was presented by Board Member Eddie Schwartz (a
co-writer with Gowan and a Producer of Gowan). (Photo by Ian Gillies)
of..." CD has officially been certified GOLD for sales in Canada!!!
Our thanks to all Gowan fans...old and new...for their continued
support!!! October 1999.
are Juno Awards nominations that Lawrence Gowan has received:
1983 - Nominated - "Most Promising Male Vocalist of the Year"
1985 - Winner - "Best Video" for "Criminal Mind" with director Rob QuartlyAnimation & Direction by Greg Duffell / Lightbox Studios Inc.
1985 - Winner - "Best Album Graphics" for Strange Animal (awarded to designers Rob MacIntyre and Dimo Safari)
1985, 1987, 1991 - Nominated - "Male Vocalist of the Year"
1985 - Nominated - "Album of the Year" for Strange Animal
1985 - Nominated - "Best Selling Single" for "A Criminal Mind"
1985 - Nominated - "Best Video" for "You're a Strange Animal" Animation by Greg Duffell / Lightbox Studios Inc.
1986 - Nominated - "Best Video" for "Cosmetics" (director: Rob Quartly)
1987 - Nominated - "Album of the Year" for Great Dirty World
1987 - Nominated - "Canadian Entertainer of the Year"